The Prisoner of Zenda: Double Feature (1937/1952)
As Rudolf Rassendyll the English gentleman on a fishing vacation who discovers he's the long-lost cousin of Rudolf V, soon to be crowned king of the fictional country of Ruritania Coleman and Granger have distinctly different takes on the character. Coleman is a classic Errol Flynn-like swashbuckler, as believable as the party-boy future monarch as his Brit double. He always has a twinkle in his eye, letting the audience know that he's getting a kick out of playing king even as he finds himself crossed and double-crossed by the king's half-brother, Black Michael, and Michael's scheming flunky, Rupert of Hentzau. Granger, on the other hand, plays a Rudolf who takes his responsibilities with deadly seriousness, clenching his jaw and furrowing his brow with steely determination. Each film offers distinctly different approaches to the villains as well, with the '37 Zenda casting Raymond Massey and Douglas Fairbanks, Jr. as Michael and Rupert, respectively, while the 1952 film has Robert Douglas and James Mason in the same roles. The former duo were pure evil, while Douglas and Mason brought a little more nuance to their parts, no doubt because of when the film was made as the evil-doers of a fictional Germanic country, there's more than a little Nazi to the portrayals in the 1937 version. One of the biggest differences one might say improvements in the latter film is the casting of Deborah Kerr as the king's fiancée, Princess Flavia, who falls in love with the impostor. In the Coleman Zenda, Flavia is played by Madeleine Carroll, a marvelous actress who, unfortunately, is little more than a pretty face in a big dress in this picture. Kerr's intelligence and spunk makes a lot more of Flavia, creating the necessary sparks with Granger to make the difficulty of his growing love for her all the more believable. One thing that the 1952 version, directed by Richard Thorpe, couldn't improve upon was the memorable swordfight between Rudolf and Rupert near the picture's end. The Granger/Mason pairing is strictly Hollywood faux-fencing all the way, with Granger studiously following each choreographed move and Mason flailing about, obviously unused to holding a sword. On the other hand, director John Cromwell's '37 version offers an excellent combination of rapiers and banter with Colman and Fairbanks, both comfortable with swordfighting, having at each other with grace and speed as their shadows dance on the stone walls it's a stunning bit of classic swordsmanship, and exciting as hell to watch.
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Warner Home Video offers both films in a part of their "Literary Classics Collection" as a two-sided disc with one film on each side. Both transfers are very good the 1937 film is a bit grainy, but remarkably free of scratches and visual noise considering its age, and the Technicolor 1957 film is gorgeous, clean with rich, bright color. Side A offers the '37 film plus two short subjects, "Penny Wisdom," an unfunny short about a stupid woman doing stupid things in the kitchen (10 min.), and "The Wayward Pups," a cartoon about a pair of puppies who terrorize a cat and have adventures around their neighborhood (8 min.), plus a 1949 radio adaptation of Zenda (27 min.) starring Coleman. Side B offers the 1952 film plus the theatrical trailer, and two more shorts "Land of the Taj Mahal," a narrated travelogue featurette, interesting if you want to see what Bombay was like in 1952 (8 min.), and the Oscar-winning "Johann Mouse," a Tom and Jerry cartoon which has Jerry as a waltzing Viennese mouse (8 min.). Slimline case in the "Literary Classics" box set.